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("We’re kind of shitheads like that," he laughs.)
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Oberst and his bandmates consider the dissonant opening track to be "what makes a Bright Eyes album a Bright Eyes album," calling it a "pay-at-the-door situation": if you’re willing to step through the oddities, then you make it to the songs. These conversations are spliced with snippets of a recording from Oberst's home, a three-hour conversation between him, his mother and his ex-wife Corina Figueroa Escamilla (the Spanish-speaking announcer) after they all took psychedelic mushrooms. The bar "audience" received pre-written potential topics, phrases, or conversations on cue cards you can hear those recordings throughout as Pageturner pianist Dan McCarthy plays and Bright Eyes member Nate Walcott joins on trumpet. Recorded primarily in Pageturner's Lounge, an Omaha bar co-owned by Bright Eyes frontman Conor Oberst, every line is deliberate. If you don’t speak Spanish, you’ll still catch when she names the composition’s theme: "Your most vivid nightmares."įrom there, "Pageturner’s Rag" dissolves into a ragtime overlapped with conversations at first, it feels like you're sitting in the crowd.īut of course, the song is far stranger than that.
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In Spanish, a woman welcomes the crowd warmly, preparing them for the song ahead-at the end of a hallway, they’ll open the door of forgotten memory. An announcement cuts through barroom chatter.